The Fencer and The Boxer

There’s a pay and display stand in the park parking lot. And it seems to suit the height of nobody. The more elegant man stands with one foot forward, knee slightly bent, arm extended as if he were holding a sword, fingertip stretching for the buttons. More typical is the boxer, who stands with legs apart, knees bent, shoulders thrown back, and from this position positively punches the machine. Thumb punches. The third sort I’ve spied is the lover, the man who embraces the machine with an arm resting atop it while swaying his body out and away so that his face leans into it. An aggressive embrace that ends only when the machine spits out the required ticket.

At least none of them have a purse to ponder. The women also display three poses. The ballet dancer, who simply bends her knees, lowering her torso while keeping her posture straight. The twerker, who thrusts out her behind while leaning her torso forward for an intimate moment with the machine, haunches twitching impatiently. Finally, the yoga balance, the woman whose back is plank straight, and whose purse dangles beneath her chest, a swaying temptation.

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